The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.

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Submissions from 1985

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JOHN MASEFIELD IN THE TWENTIETH CENTURY: A REPUTATION STUDY (POETRY, CRITICISM), LEE HAMMER

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MECHANICAL FACTORS AND THE THRESHOLD OF TRAUMA OF THE INTERVERTEBRAL JOINT - A FINITE ELEMENT ANALYSIS WITH EXPERIMENTAL VALIDATION (SPINAL INJURY, NONLINEAR, FUNCTIONAL UNIT/DISC, MATHEMATICAL MODEL, LOW BACK PAIN), NARAYAN YOGANANDAN

Submissions from 1984

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LANGUAGE IN TECHNOCRACY: SAMUEL BECKETT AND THE WORD (IRELAND, FRANCE), PHYLLIS EDNA CAREY

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A LABORIOUS 'NEW BIBLE': CARLYLE'S RELIGIOUS SEMIOSIS, BRYCE J CHRISTENSEN

Submissions from 1983

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MANNERIST MOTIFS IN JOHN WEBSTER'S "THE DUCHESS OF MALFI" AND "THE WHITE DEVIL", Mary Lyelle Beshear

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NORMATIVE VALUES IN ERNEST HEMINGWAY'S FICTION, JAMES BERNARD MULVEY

Submissions from 1981

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STRUCTURE, HISTORY, LANGUAGE, AND TRANSFORMATION IN JAMES FENIMORE COOPER'S "THE LAST OF THE MOHICANS", STEVEN POWERS BLAKEMORE

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BUILDING AN AMERICAN CITY: THE FICTION OF THORNTON WILDER, MICHAEL JOE VIVION

Submissions from 1980

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PREACHING WITHOUT BOOK: THE RHETORIC OF RELIGION IN THE NOVELS OF GEORGE ELIOT, LANCE DAVIS CHASE

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JONSON'S COMIC CIRCLE: THE THEATRICALITY OF THE COMICAL SATIRES, TERRANCE RAY DUNFORD

Submissions from 1979

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THORNTON WILDER: PERSPECTIVE IN FICTION AND BELIEF, James Warren Blake

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KINGSHIP IN JOHN GOWER'S "CONFESSIO AMANTIS", KENNETH B GRANT

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THEMATIC DEVELOPMENT IN THE POETRY OF CHARLES TOMLINSON, MICHAEL JOHN HENNESSY

Submissions from 1978

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THE TEXTUAL HISTORY AND DEFINITIVE TEXTUAL APPARATUS FOR "SOLDIERS' PAY": A BIBLIOGRAPHIC STUDY OF WILLIAM FAULKNER'S FIRST NOVEL, FRANCIS JOHN BOSHA

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BEYOND THE MEANING OF HISTORY: THE QUEST FOR A SOUTHERN MYTH IN FAULKNER'S CHARACTERS, KATHLEEN SHINE CAIN

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THE RHETORIC OF RIGHT IN SHAKESPEARE'S HISTORY PLAYS, WALTER WILLIAM CANNON

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"NO PLACE FOR PARAGRAPHS": THE CORRESPONDENCE BETWEEN HART CRANE AND WALDO FRANK, STEPHAN HARVEY COOK

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EDGAR ALLAN POE'S QUEST FOR SUPERNAL BEAUTY, LAWRENCE GEORGE DOTOLO

Submissions from 1977

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ROY FULLER'S POETRY, MICHAEL PAUL CONLON

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HAROLD FREDERIC'S SOCIAL VISION: A CRITICAL STUDY, CHRISTOPHER SIMONI

Submissions from 1976

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THE GENETIC STRUCTURALISM OF LUCIEN GOLDMANN: THE STATUS AND PROBLEMS OFMETHOD, William Quentin Boelhower

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"FOR CONTEMPLATION HEE AND VALOR FORM'D": THE DICHOTOMY OF THE ACTIVE AND THE CONTEMPLATIVE LIVES IN JOHN MILTON'S "PARADISE LOST," "PARADISE REGAINED," AND "SAMSON AGONISTES.", JOHN JAMES COGAN

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The Dialecticism of Transcendence and Immanence in the Poetry of Richard Wilbur, Lou Ann Kriegisch

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FROM INNOCENCE THROUGH EXPERIENCE: A STUDY OF THE ROMANTIC CHILD IN FIVE NINETEENTH-CENTURY NOVELS, DONNA MARIE PERRY

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THE TRIPARTITE STRUCTURE OF THE WORKS OF SIR THOMAS MALORY, PATRICIA CAROL ROBY

Theses/Dissertations from 1975

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The Implications of Deviation from Order in Jacobean Comedy, Jerome Burns

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TENNYSON AND THE DEFENSE OF ROMANTIC FAITH, ALBERT FRANK MORITZ

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Irony in Chaucer's Tale of Melibee: False Prudence Exemplified in Fragments C and B2, Joyce H. Wells-Powell

Submissions from 1974

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PAN-HUMANISM IN THE NOVELS OF GEORGE ELIOT, JOSEPH JOHN

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SHAUN THE POST: JAMES JOYCE'S USE OF THE CATHOLIC NOTION OF PERFECTION IN "FINNEGANS WAKE.", PHILIP WILLIAM KENNY

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THE ROLE OF WOMEN IN THREE OF FAULKNER'S FAMILIES, COLLIN GILLES MATTON

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THE MODERN PILGRIMS: MARRIAGE AND THE SELF IN THE WORK OF JOHN UPDIKE, LINDA MARIE PLAGMAN

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BLAKE'S ARCHETYPAL TYGER: A MORE COMPREHENSIVE VIEW, JAMES P SHEA

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THE DILEMMA OF THE TALENTED WOMAN: A STUDY IN NINETEENTH CENTURY FICTION, SUSAN ELIZABETH SIEFERT

Submissions from 1973

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PATTERNS OF IMAGERY IN CARSON MCCULLERS' MAJOR FICTION, Donna M. Bauerly

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CONCEPTUAL AND ARTISTIC LIMITS OF EIGHT NINETEENTH-CENTURY BRITISH LITERARY UTOPIAS, MARY ANN KLEIN

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STRUCTURE AND MEANING IN THE "STRANGERS AND BROTHERS" NOVEL SEQUENCE OF C. P. SNOW, ROBERT ROLAND NEUMAN

Submissions from 1972

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THE "ATMOSPHERICAL MEDIUM": A STUDY OF THE ROMANTIC MILIEU IN HAWTHORNE'S MAJOR FICTION, REGINA HANSEN

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NIGHT JOURNEY UNDER THE SEA: THEODORE ROETHKE'S SEARCH FOR THE SELF, SUZANNE HELEN HUDSON

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Ernest Into Game: The Truth of Fiction in The Canterbury Tales , Theresa Moritz

Theses/Dissertations from 1971

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The scent of blood and roses : a consideration of anti-semitism in Chaucer's "Prioress's Tale", Sr. Patricia Kenny

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WONDER: SUNSHINE AND SHADOW CELEBRATION IN THE POETRY OF RICHARD WILBUR, VIRGINIA RHEA MORRIS LEVEY

Theses/Dissertations from 1967

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The Poor-Rich Gain: An Examination of the Love Relationships in Shakespeare's Sonnets, Venus and Adonis and The Rape of Lucrece , Robin C. Mitchell

Theses/Dissertations from 1961

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Cathy: The First Three Chapters of An Original Novel, Beverly K. Butler

Theses/Dissertations from 1960

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Sherwood Anderson's Idea of the Country Weekly Newspaper, John H. Sullivan

Theses/Dissertations from 1957

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The Dramatic Criticism of Henry James: An Examination and Evaluation, Bernardine McKenna

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The Critical Reception of the First and Second Editions of the Poems of Gerard Manley Hopkins, Rosalie C. Whelan

Theses/Dissertations from 1956

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Kenneth Burke: Study of the Criticism of Criticism, Daniel V. Wisniewski

Theses/Dissertations from 1955

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Felt Thought in the Criticism of Metaphysical Poetry, William C. Forrest

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Special Problems In Teaching the "Fundamentals Course in Speech" to Novices in a Community of Religious Sisters, Mary Clare Edward Whalen

Theses/Dissertations from 1954

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The Faerie Queene: An Elizabethan Courtesy Book, M. Harriet Dow

Theses/Dissertations from 1953

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Morality and Mr. Winters: A Critical Evaluation of Yvor Winters's Theory of Morality As Found in His Literary Criticism, Joseph G. Knapp

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John Ruskin's Conception of the Relation of Art to Morality Seen Against Scholastic Background, John Michael Murphy

Theses/Dissertations from 1952

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William Dean Howells and Naturalism, Mary Elizabeth Cox

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Gerard Manley Hopkins As a Social Critic, M. Roy McDonald

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Jonathan Swift and the Age of Reason, Marian Seldin

Theses/Dissertations from 1951

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A Critical Evaluation of the Satirical Novels of Evelyn Waugh, John E. Bernbrock

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Major Trends in American Literary Criticism, 1880-1918, John W. Rathbun

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Donne's Basic Imagery: Its Sources, Use, and Effectiveness, Mario J. Sanguinetti

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The Attacks on the Jesuits in English Literature: 1580-1642, John P. Teeling

Theses/Dissertations from 1950

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Thomas Carlyle and Eric Gill As Critics of the Capitalist-Industrial System, M. Columcille Counihan

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The Moral Element in the Works of Thornton Wilder, Lucille M. Dirksmeyer

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Dryden and Shakespeare: A Study in Creative Methods, Norman J. Gavin

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The Prose Style of The Book Of Margery Kempe, Mary David Horan

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The Catholic Mind of Ernest Dowson, Joseph T. Konkel

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Four Renaissance Utopias: A Comparative Study of More's Utopia , Bacon's New Atlantis , Campanella's City of the Sun , and Harrington's Oceana , Pauline G. Nelson

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The Dramatic Theory of Maxwell Anderson in Relation to His Plays, Mary Catherine Render

Theses/Dissertations from 1949

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W. Somerset Maugham's Philosophy of Life As Found in His Plays, Shirley Avner

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Critical Standards and Tenets of Gilbert Keith Chesterton, Nora Ellen Kegel

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Willa Cather's Technique of Character Portrayal, Carolyn M. Sharp

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Some Elizabethan Superstitions in Shakespeare's Plays, Helen A. Shebel

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The Courtly Love Tradition and the Elizabethan Sonnet-Cycles, Kenneth J. Tellier

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The Philosophical Basis of G.K. Chesterton's Literary Criticism, David F. Wilbur

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The Art and Diction of Chaucer in Selected Portions of The Book of the Duchess and The General Prologue , Alice Schwenke Wutschel

Theses/Dissertations from 1948

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A Critical Bibliography of Newman Criticism 1890-1910, Anne B. Brunhumer

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Catholic Aspects of John Ruskin's Social Teachings, Mary Roberta Butler

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The Influence of Melin De Sainct-Gelais and Clement Marot Upon the Poetry of Sir Thomas Wyatt, Aurea Teresa Cintron

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Virginia Woolf As a Literary Critic, Roselee Ann Cook

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A Study of Sir Philip Sidney's Astrophel and Stella, Benjamin S. Cywinski

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The Moral Value of John Ruskin's Theory of Art, Marie Madeleine Farmer

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Richard Crashaw The Traditionalist, Mary Loretta Gaughan

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John Millington Synge: His Reception As a Dramatist, M. Rosanne Heger

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A Study of the Pilgrim Motif in Malory's Morte D'Arthur, Marian Margaret Royce

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The Character of Joan of Arc As She Appears in English Plays on the Subject 1798-1924, M. Rene Schwertman

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Milton's Satan in the Eyes of His Critics, Agnes Clare Sheridan

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A Study of Marian Imagery in Mary Lyrics of Fifteenth Century English Literature, M. Aemilian Trimberger

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Gerard Manley Hopkins As a Critic of Coventry Patmore's Poetry, M. Hilary Yoggerst

Theses/Dissertations from 1947

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Stylistic Criticism in the Essays of Francis Thompson, James G. Alexander

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A Century of American Goldsmith Criticism 1810-1910, Mary Ellen Rys

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Gerard Manley Hopkins As Literary Critic: With Specific Reference to the Criticism of His Significant Contemporaries As Seen in His Correspondence, Joseph Michael Schwartz

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Lionel Johnson's Contribution to the Gaelic Revival of Literature, M. Charline Shekleton

Theses/Dissertations from 1946

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Shakespeare's Knowledge of Natural History As Shown in His Comedies, Madelyn Carl Arms

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The Attitude of Benjamin Disraeli Toward Catholicism and the Roman Catholic Church as Revealed by a Study of His Novels - - 1826-1880, M. Augustine Beach

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A Technical Analysis of Edmund Burke's Sentence As Studied in His Early, Middle, and Late Work, Irene Louise Edwards

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Shakespeare's Knowledge of Natural History As Revealed in the Historical Plays, Patricia E. Leonard

Theses/Dissertations from 1945

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A Study in the Structure of the WordsWorthian Sonnet, Anne Patricia Callan

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Imagery in the Ancren Riwle, Mary Madeleine Sophie Flammang

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A Dictionary of the Characters in Anthony Trollope's Barchester Novels, M. Bona Ney

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The Technique of Sheila Kaye-Smith's Novels, M. Alice Rita O'Brien

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A Study of the Versification of Alexander Pope, Mary E. Sweeney