Document Type

Contribution to Book

Language

eng

Format of Original

17 p.

Publication Date

2003

Publisher

Cambridge University Press

Source Publication

The Cambridge Companion to Mary Shelley

Source ISSN

9780521809849

Original Item ID

Shelves: PR5398 .C36 2003 Memorial Level 4 Reading Room

Abstract

Cave ab homine unius libri, as the Latin epigram warns us: "beware the author of one book." Frankenstein has so overshadowed Mary Shelley's other books in the popular imagination that many readers believe - erroneously - that she is a one-book author. While this is decidedly not the case, Frankenstein has figured more importantly in the development of feminist literary theory than perhaps any other novel, with the possible exception of Charlotte Bronte's Jane Eyre. This essay will discuss the major feminist literary interpretations of the novel, beginning with Ellen Moers's landmark reading in Literary Women and then move to the more recent approaches taken by critics engaged in post-colonial theory, cultural studies, queer theory, and disability studies. In the process we will explore the provocative claim made by Fred Botting, who noted, "Frankenstein is a product of criticism, not a work of literature."

Comments

Published Version. "Frankenstein, Feminism, and Literary Theory," in The Cambridge Companion to Mary Shelley. Ed. Esther Schor. Cambridge, UK: Cambridge University Press, 2004: 45-62. DOI. © Cambridge University Press 2004. Used with permission.

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