Document Type

Article

Language

eng

Format of Original

8 p.

Publication Date

Spring 1976

Publisher

MIT Press

Source Publication

Leonardo

Source ISSN

0024-094X

Original Item ID

doi: 10.2307/1573117

Abstract

In previous articles, the author proposed that paintings can have syntactic rules. In this article he develops his proposal further and shows that shapes act as syntactic elements in the languages of painting styles. He meets Nelson Goodman's objections to his proposal by showing that shapes meet the criterion of syntactic discreteness proposed by the latter to separate linguistic from other symbolic systems. His approach is to specify style as the domain of a language of painting, to show that style is syntactical and to argue that shapes are the primitive syntactic elements of style. His essay relates current research on the development of syntax for picture-reading machines to the question of syntax for paintings.

Comments

Published version. Leonardo, Vol. 9, No. 2 (Spring 1976): 111-118. DOI. © Massachusetts Institute of Technology Press (MIT Press) 1976. Used with permission.

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