Document Type

Article

Language

eng

Publication Date

Summer 1998

Publisher

Cambridge University Press

Source Publication

Renaissance Quarterly

Source ISSN

0034-4338

Abstract

The rise of antiquarianism in late Elizabethan/early Jacobean England posed a threat to the common and traditional notion of continuity through time of British institutions and culture, including the transmission of historical texts. This threat was a major preoccupation for the poet Michael Drayton, and his response to it can be examined in his depictions of bards and druids in Poly Olbion. Conservatives in the historiographical debate put forth these ancient British poet/priests as an explanation for how ancient British history could have been transmitted through the centuries. But while Drayton in the Poly Olbion certainly uses bards and druids in a concerted attempt to imagine continuity, he reveals some latent suspicions of the truth - that ancient British culture was irretrievably lost.

Comments

Published version. Renaissance Quarterly, Vol. 51, No. 2 (Summer 1998) : 498-525. DOI. © 1998 Cambridge University Press. Used with permission.

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