Document Type

Article

Language

eng

Publication Date

Spring 2009

Publisher

Johns Hopkins University Press

Source Publication

Studies in English Literature 1500-1900

Source ISSN

0039-3657

Abstract

This article contends that the mid-Tudor interlude Jacob and Esau, long known to have a Protestant slant, promotes a Calvinistic doctrine of election consonant with Edwardian theology and that in doing so it also enacts a rare kind of iconoclastic drama. The play invalidates the very discriminations between the brothers it seems to encourage us to make. This building up only to break down the differences between the elect and the reprobate proves God’s judgments to be unresponsive to human merits and utterly inscrutable, even as it prompts the audience to beware of the limits of perception and the dangers of appearances.

Comments

Accepted version. Studies in English Literature 1500-1900, Vol. 49, No. 2 (Spring 2009) : 285-309. DOI. © 2009 Johns Hopkins University Press. Used with permission.

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